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- The Olympus M.Zuiko Digital 12mm f/2.0 ED lens is designed for Micro Four Thirdssystems and captures high quality wide-angle shots in a range of settings
- Performing superbly in lowlighting, this standard wide-angle lens boasts an advanced ZERO (ZUIKOExtra-low Reflection Optical) coating to reduce distortion
- The Olympus M
- Zuiko Digital 12mm f/2.0 ED lens also offers a snapshotmechanism that's activated by simply pulling the focusing ring back
Customer Reviews
Most Helpful Customer Reviews
13 of 13 people found the following review helpful.
Forget the price and love the photographs
By Al
I have a panasonic GF1 with the excellent Olympus 12mm F/2, Panasonic 20mm F/1.7 and Olympus 45mm F/1.8 lenses. I chose this lens because I wanted a wide angle with very large aperture, and was not willing to make a compromise with the much smaller and cheaper 14mm F/2.5 from panasonic. It works very well with the GF1, which I personally think is best suited to fast prime lenses rather than the slow and bulky 14-45mm kit lens originally sold with the camera.Likes:- The fastest wide angle prime lens available for micro 4/3rds- Excellent picture quality (very sharp)- Excellent build quality (feels great when you are using it)- The diameter (46mm) is the same as the 20mm F/1.7 lens, so filters, screw on hood and lens caps are interchangeable- Autofocus quicker and much more silent than the 20mm F/1.7Dislikes:- Does not come with a lens sack, unlike panasonic lenses- Lens hood costs an extra 60 pounds (3rd party screw in hoods available for 12 pounds)- Lens cap is a bit fiddly (not as bad as the 45mm F/1.8 though).- Difficult to fit the camera in a large coat pocket with this lens (protrudes 45mm from body)- Expensive (but I know I will forget the price and love the photographs years later)- Only available in silverI was already aware of everything I listed as "dislikes" before I bought the lens, so I accept them as the price to pay for arguably the best wide angle micro 4/3rds lens available at the moment. Having said that, I will remove a star just out of spite, because I think Olympus should include a lens sack and hood for the price they are asking.
10 of 10 people found the following review helpful.
Splendid wide angle performance
By Parka
Finally, a fast wide angle lens is here for the Micro Four Thirds system. The other two lens that can shoot at 12mm are the Olympus 9-18mm and Panasonic 7-14mm, both start at f/4.Build quality for this lens is excellent. It is full metal with a smooth finished surface. It weighs 130g, just slightly twice that of the Panasonic 14mm f/2.5 lens. It's also twice as tall but still smaller than the kit zoom lens. As wide angle lens go, this is as small as it can get - the beauty of the Micro Four Thirds system.The lens doesn't come with a lens hood which you have to pay (heavily) for.There's a 46mm filter thread, similar to the Panasonic 14mm and 20mm. I have a 2-stop ND filter that I can re-use here. Nice.Autofocus speed is snappy and operates silently.The focusing ring is great. It can be pulled back to go into manual focus mode instantly, and push back to go back to auto-focus - no need for menus if you're using a touchscreen camera. When it's at the back, it reveals a distance indicator. This lens can focus from 0.2m to infinity. So you can either manual focus with the distance indicator (fast), or manual focus the focus-by-wire way (slow), I prefer the former.The optical performance is remarkable. At wide open, it's sharp at centre and corner. It's sharpest at f/2.8 though, but the difference between this and f/2 is possibly visible only at 100 per cent view. Chromatic aberration and vignetting are not really noticeable. Distortion is controlled really well, even for faces near the edge of the photo.I'm using this lens more for landscape (typically buildings) and street shooting. The f/2 is a huge advantage when shooting inside buildings (tight spaces) where lighting is low most of the time. f/2 can give you some depth of field but only when your subject is very close, in-your-face close. In typical usage, the depth of field is minimal.Composition with this lens is challenging, but you can always crop, which will be most often the case if you don't get close enough. If you don't like shooting so close to people, you might want to use a lens closer to 35mm or the 50mm equivalent.I find that a zoom at wide angle is more flexible, for me anyway, but sometimes the low light just hinders the chances at getting shots. I was once in a bar with the 7-14mm and I had to put the camera on the table to get non-hand-shaken shots at high ISO, at least now, I can get two stops of advantage with this 12mm lens and not shoot off a table, or tripod.Yes this lens is pricey, but it's worth it. If you need the low light wide angle lens, you have that option now.At a glance+ Excellent build quality+ Small, light & portable, relative to DSLR equivalent+ Very good sharp image quality+ f/2 aperture is great for low light shooting+ Fast and silent focus+ Focusing snap ring can be used to get into manual focus instantly+ Accepts 46mm filters+ Worldwide warranty- No lens hood included (I recommend a cheap alternative rather than the original)- No lens pouch included- Pricey but worth it
10 of 10 people found the following review helpful.
In a class of its own
By Nigel Strachan
A truly outstanding lens with bags of potential for the serious photographer. Excellent sharpness across the aperture range and the distance scale focussing option is fabulous - taking me back to when photographers had to have something about them.One piece of advice. If shooting from the chest, don't use the Digital ESP metering but try centre-weighted or spot metering mode instead. Or set about +1.5EV to compensate for the larger amounts of bright areas in the frameA wonderful lens and I use it as my standard now.
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